A wonderful film, as you might expect, from the cinema's greatest directorial duo. It's unique in mood and pace amongst the many Archers films that I've seen. The others move at a brisk pace, going from one plot element to the next. No harm in that, of course. It works very well for films like One of Our Aircraft Is Missing, I Know Where I'm Going!, A Matter of Life and Death and the others. A Canterbury Tale, on the other hand, stops and smells the roses as it leisurely - and semi-plotlessly - strolls through the English countryside on the trail to Canterbury Cathedral. Three young people, an American G.I. named Bob Johnson (Seargant John Sweet),a British soldier, Peter Gibbs (Dennis Price),and a young woman from London, Alison Smith (Sheila Sim),moving to the countryside for work. The all arrive in the small town of Kent on the same train, and they walk together trying to find the hotel. An assailant pops out of nowhere in the impenetrable dark and throws glue all over Alison's hair. Over the next few days they look for "the Glueman." The film doesn't always work, especially concerning the Glueman subplot, which almost seems like it is the plot for most of the movie. The investigation and solution are the weakest scenes in the film. But there are dozens of gorgeous sequences within the film. I especially love the sequence with the children playing war. The film gets especially good during its extended finale, where the three (actually four) main characters go to Canterbury, and their pilgrimages pay off. The three leads are excellent. The fourth main character, the magistrate of Kent, Thomas Colpeper (Eric Portman),is the weakest and I'd just rather forget his role in the film myself. Perhaps he will work better in subsequent viewings. The best aspect of the film is its top shelf cinematography, maybe the best black and white that I've seen from the Archers. A lot of the scenes take place, ingeniously, in total darkness. These work so much better than imaginable! 9/10.

An interesting and unusual updating of the Chaucer story, brought to the screens by Powell & Pressburger whose direction is top quality here. The film has a dream-like quality to the visuals that reminded me a little of Bergman, while the episodic nature of the storyline works. It's quirky and unrealistic throughout, but the WW2 backdrop is an effective one and the performances generally strong across the board, particularly from the likes of a youthful Dennis Price.

I love Powell and Pressburger's films, especially Black Narcissus, A Matter of Life and Death, The Red Shoes, The Life and Death of Colonel Blimp and The Thief of Baghdad. A Canterbury Tale is no exception, in fact it is every bit as wonderful as those films. Essentially it is gentle, it is sweet-natured and it is beautiful, but it is also thought-provoking and atmospheric with eerie tone shifts. As to be expected, the production values in this film is absolutely exquisite, as skilled as the photography is, it is the scenery that really delights, while Allan Gray's music is very nice. The script is good on the whole, and the story(a re-think of Chaucer?) may be peculiar on paper but actually it is nothing of the kind. Instead it is well-structured, beautiful and most importantly it impresses as a study of a community resistance to change, and I admit I was moved by this film. The direction is great, and the acting I had little problem with- excepting Dennis Price from Kind Hearts and Coronets and Charles Hawtrey from the Carry on franchise there was nobody I recognised straight away but the actors all played their parts well. The pace is perhaps meditative, but purposefully so to reflect the film's gentle tone. All in all, a lovely, thoughtful film and one of Powell and Pressburger's best. 10/10 Bethany Cox