'2036 Origin Unknown' actually sounded pretty interesting. The low rating and lukewarm at best reviews here and much of the internet made me not sure as to whether it would be good, but there were some great ideas here and the concept sounded like the film would be good intriguing stuff if done right.

After seeing it, '2036 Unknown Origin' to me was not a terrible film, it has its moments. When it comes to recent low budget recent viewings it is nowhere near close to being one of the worst. A large part of me though was rather disappointed, another example of a film with great ideas and concept and just as great potential but none of them properly lived up to, not completely wasted but this should have been much more. The not so enthusiastic critical reception is understandable though while sharing a lot of the criticisms directed against it didn't find it that bad.

From personal opinion, it did have some atmosphere in the sets, an effective visual claustrophobia and the photography was quite nice, for low budget this could have fared much worse. It does start off well, it is intriguing, sets things up nicely and is not too badly paced.

The acting was also better than average, with a more than credible lead performance from Katee Sackhoff who had the hard task of carrying much of the film with not much support. Her character was one that didn't annoy or bore me and there was effort made to develop her. Julie Cox and Steven Cree, added in apparently during post-production, are also fine.

However, '2036 Origin Unknown's' main problem is the story. It does feel dragged out, like a short film stretched to feature, and gets over-complicated as a result of having too many ideas/areas and not enough of them being fully explored, meaning that there is a lack of clarity. This is not a case of not trying, more a case of trying too hard. The ending is just weird and impossible to make sense of, also not feeling much of an ending. The sound is also off, being too loud and constant and tending to be favoured over the dialogue.

Ray Fearon is pretty forgettable here and his character is just moving story forward plot device material. The direction is not incompetent but uninspired and shows a lack of experience. The over-reliance-on-exposition script doesn't flow very well and just feels half-baked and wordy in a way not always easy to understand. The special effects are very ropy, they don't blend well and the proportions can be inconsistent.

Overall, had great potential and Sackhoff especially makes it watchable but suffers from dullness and being over-complicated and half-baked. 4/10 Bethany Cox

It's 2030. Mars 1 crashes on the planet after getting hit by an energy field. Six years later, Mack Wilson (Katee Sackhoff) leads the investigation into the crash chaffing under the artificial intelligence computer ARTI's control. They find an object of unknown origin.

This is reminiscent of an old style sci-fi magazine story. British filmmaker Hasraf Dulull started in CGI and videogames into trying to make these smaller budget sci-fi movies. This could have been a Twilight zone episode although it may still be not good. It's stuffed with CGI scenes of a Mars mission. The human scenes consist mostly Sackhoff, a computer voice, and a techie room. The movie lacks a human touch and a human story. In short, it lacks humanity no matter how hard Sackhoff tries. It's only good for a shorter sci-fi TV episode.

Mack Wilson (Katee Sackhoff) is the mission controller supervising the remote mission to Mars with A.R.T.I, an artificial intelligence system.

On the surface of Mars is a cryptic cubical object.

Director Hasraf Dulull has made his name in visual effects. In this low budget bottle film, the special effects are very good.

What is not good is the script and how the movie interacts with the audience.

I never felt drawn into the movie, it felt clinically cold. Also it was so heavily influenced by 2001: A Space Odyssey with AI causing havoc.

Sackhoff has most of the screen time engaging with A.R.T.I but by the end you think the kernel of the plot is Ra's al Ghul's idea in Batman Begins.